Virtu Art Books: Renaissance Early, High + Northern

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Virtu Virtu Home Page Virtu Services Virtu Bookshop Home Email Us Book Shelves Artists + Crafters Health and Safety 19th Century Art 17th + 18th Century Art Abstract Expressionist Art Conservation Art History Arte Povera Australian + Aborigonal Art Bauhaus Basket Weaving Buddhist Art + Sculpture Candle Making Ceramics Crafts Cubist Movement Design Dictionaries + Encyclopedia How-To Draw Egyptian Art Erotic Art Expressionist Movement General Art Islamic Art Lace Making + Tatting Nudes Painting How-To Paper Craft How-To Frame Pictures Pop + Op Art Portraiture + Miniatures Renaissance Stained Glass Art Surrealist + Dada How-to Survive Textiles Tie Dye, Batik + Silk Painting Woodcraft Links + Resources SW Cork Artists, Crafters, Galleries + Studios Irish Goverment Links Art Guilds, Councils, Collectives etc Irish Art Related Links Art + Craft Education Resources Art Magazines + Ezines Artists Supplies Links	Virtu Art Books Renaissance Early, High + Northern Medici Money: Banking, Metaphysics and Art in Fifteenth-century Florence The Medici ruled Florence at the high point of the Renaissance. Their power derived from their bank. The Church condemned usury as a sin and made it illegal, so the Medici made their bank indispensable to the church. They avoided taxation by running the city themselves, completely subverting its claims to being democratic. The bank finally collapsed in 1494, but for five generations the Medici had dominated Renaissance Italy. They were to shape attitudes to morals and money in the modern world. This is their fascinating and often bloody story. Art in Renaissance Italy, 1350-1500 (Oxford History of Art S.) In this book Evelyn Welch presents a fresh picture of the Italian Renaissance. Giving equal weight to the Italian regions outside Florence, she discusses a wide range of works, from paintings to coins, and from sculptures to tapestries, examines the issues of materials, workshop practises, and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour The Oxford Dictionary of the Renaissance The book is a tour de force...the contents reflect an astonishing breadth of interest and competencies. Campbell's phenomenal achievement is a mighty new reference work and a major scholarly achievement Painting and Experience in Fifteenth Century Italy: A Primer in the Social History of Pictorial Style (Oxford Paperbacks) This book is both an introduction to fifteenth-century Italian painting, and a primer in how to read social history out of the style of pictures. It examines the commercial practice of the early Renaissance picture, trade in contracts, letters, and accounts; and it explains how the visual skills and habits evolved in the daily life of any society enter into its painters' style. Renaissance painting is related for instance to experience of such activities as preaching, dancing, and gauging barrels. This second edition contains an appendix, the original Latin and Italian texts referred to throughout the book, giving the student access to all the relevant, authentic sources. Leonardo Da Vinci: The Complete Paintings In this compact paperback, Pietro C. Marani re-examines the complete oeuvre of Leonardo, drawing on archival research that has uncovered important documents relating to the artist's work and career. All of Leonardo's paintings are featured here, together with related drawings and many enlarged details that reveal the painter's extraordinary sense of light and shadow, colour and atmosphere. Marani, who co-directed the restoration of the "Last Supper", provides a comprehensive survey of the paintings, establishes their probable dates and sequence, and determines which works were made with the participation of assistants and which by the master alone The Renaissance The Renaissance features all the obvious well-known Italian masters such as Fra Angelico, Michelangelo, Masaccio, Titian, Raphael, Botticelli and Leonardo da Vinci. But what makes this book different is that it also covers the great Dutch and German masters, such as Van Eyck, Bosch, Bruegel, Holbein, Durer and the Spanish painter El Greco. It is a rich chronological survey of the splendour and wealth of Renaissance art from the end of the Gothic period to the beginning of the Baroque period (1401-1610). In addition to all the superb paintings, the book also features the best in sculpture and architecture during this period. Carefully designed and illustrated with more than 500 colour illustrations, many of them large-scale reproductions, "The Renaissance" should appeal to everyone interested in this popular period of painting Leonardo Da Vinci Each and every painting that can be justifiably attributed to Leonardo is included here; thanks to new findings and scientific research, this is the first time his definitive painting oeuvre is being published. Part III contains an extensive catalogue of his drawings (numbering in the thousands, they cannot all be reproduced in one book); 663 are presented, arranged by category (architecture, technical, anatomical, figures, proportion, cartography, etc). Over half of the drawings included were provided by Windsor Castle, marking the first time that the Castle has allowed a publisher to reproduce so many of their drawings. This sumptuous Taschen offering is the most thorough and beautifully produced Leonardo book ever published. The Mirror of the Gods: Classical Mythology in Renaissance Art Perhaps the single most revolutionary aspect of the Renaissance was the re-emergence of the gods and goddesses of antiquity. In the midst of Christian Europe, artists started to decorate luxury goods with scandalous stories from classical mythology, and rulers began to identify with the deities of ancient religion. The resulting fusion of erotic fantasy and political power changed the course of western art and produced many of its most magical and subversive works.The first book ever to survey this extraordinary phenomenon in its entirety, THE MIRROR OF THE GODS takes the story from the Renaissance to the Baroque. Each chapter focuses on a particular god (Diana, Apollo, Hercules, Venus, Bacchus, Jupiter) and recounts the tales about that deity, not as they appear in classical literature but as they were re-created by artists like Botticelli, Titian, Poussin and Rembrandt. Readers will never see art in quite the same way again. Urbino: The Story of a Renaissance City This book aims to reflect some of this Renaissance light. It considers the many qualities that distinguish Urbino, from its evolution, through the Golden Age, leading to a consideration of its position since the Renaissance Renaissance Rivals: Michelangelo, Leonardo, Raphael, Titian This book is written with verve and wit, and examines an important subject from an uncommonly revealing viewpoint. Rona Goffen's writing is well informed, energetic and lucid and the production of the book is excellent. Inside Bruegel Hardcover Publisher: North Point Press Hieronymus Bosch This work reveals insights into Bosch's life and aims to provide a solution to the apparent paradoxes of his works. It interweaves an analysis of the shifting tides of religious and secular thought that shaped Bosch's world, with a re-examination of the paintings themselves Giotto to Durer: Early European Painting in the National Gallery The authors explain the background of relious belief and devotional practice for which many of the paintings were created, and the secular requirements and ambitions which influenced them. They discuss the social context in which art was created and then displayed in the street, the palace or the church; and consider the role of the patron and the dealer. They describe the artist's workshop, consider the role of apprentices and assistance, discuss the influence of guilds and courts and explore the reasons for the introduction of new subjects and techniques and also the survival of traditions. The book goes on to supply an account of the materials and techniques of the early Renaissance artist. The preparation of panels, the application of gold leaf, the use of tempera and oil paint are all explained on the basis of research. After this introduction, some 70 of the finest and best known paintings in the gallery are examined in detail, including masterpieces by Duccio, Van Eyck, Mantegna, Piero della Francesca, Bouts, Bellini, Memling, Raphael and Leonardo Michelangelo: The Frescoes of the Sistine Chapel Michelangelo's frescoes in the Sistine Chapel - the great glory of Vatican art and one of the most treasured masterpieces of Western painting - provide a visual feast for art lovers in this magnificent, affordable new book. Presenting a complete survey of the restored Sistine Chapel frescoes from Creation scenes to The Last Judgment, this book includes a new text by a prominent American art history scholar. The stunning photographs, previously published by Abrams in two separate volumes, show brilliant details as well as large, overall views. There is no other one-volume work on the Sistine Chapel offering such a clear, concise introduction to this perennially popular subject Medieval and Renaissance Stained Glass in the Victoria and Albert Museum The stained glass collection of the V&A is the largest in the world, making it possible through it to chart the development of the art from the middle of the twelfth century to about 1550. One hundred colour plates, and selected details, show major masterpieces to full advantage. Commentaries on each will reconstruct the original context of the panels, explain the imagery and give details of further reading, thus also providing an indispensable introduction to the subject. The text will touch on the techniques of stained glass, the major centres and monuments and the themes depicted in the pieces illustrated. Taken together, images and text illuminate a golden age of stained glass production, resulting in a beautiful book which will complement the major exhibition of Gothic art opening at the V&A in Autumn 2003 The Northern Renaissance The works range from tapestries, altarpieces and illuminated manuscripts to churches, palaces and civic architecture. He discusses the audiences and functions of art from across nothern Europe, including not only Germany, France and the Low Countries, but also Britain and Austria. He explores major cultural and historic events such as the Protestant Reformation and the discovery of the Americas and looks at how they widened intellectual and religious horizons. The result is a book that reveals how the Northern Renaissance masters laid the foundations for the art of succeeding centuries Visuality Before and Beyond the Renaissance: Seeing as Others Saw (Cambridge Studies in New Art History & Criticism) Visuality before and beyond the Renaissance examines the phenomenon of "seeing" through a study of art works from Ancient Mesopotamia, China, Africa, and European works ranging from Antiquity to the early modern period. It demonstrates that in ancient and distant societies, the act of seeing has been and is understood in diverse ways with consequences for the production of art, the practice of religion, and the individual's perception of one's world and oneself. Treating diverse cultures and using a variety of methods, this book exposes the cultural contexts in which visual perception develops From Heaven to Arcadia: The Sacred and the Profane in the Renaissance (New York Review Collections) Hardcover Publisher: New York Review of Books Raphael Papreback Publisher: Rizzoli International Publications Art in Renaissance Italy Discussing the extraordinary range and variety of artistic production and patronage throughout Italy from the mid-13th century to 1600, the book covers both the major centres of Florence, Venice and Rome, and many other cities ranging from Assisi to Naples. The narrative brings to life the rich tapestry of Italian Renaissance society, even providing fascinating glimpses of daily life such as the food that people ate and how they entertained themselves. Innovative and scholarly, yet acceessibl and beautifully presented, Art in Renaissance Italy, Second Edition, is set to become a definitive work on this most significant era of Western culture Leonardo Da Vinci Paperback Publisher: Penguin Books Ltd Raphael: From Urbino to Rome (National Gallery Company) Included in the book are discussions of Raphael's origins in Urbino, his earliest influences, and his first works for churches in Umbria and the Marches. The influence of Leonardo and Micelangelo on the young artist as well as the flourishing of his art under the enlightened patronage of Pope Julius II are also studied in detail. The book concludes with two short essays on Raphael's great Vatican frescoes and with a look at the artist's longstanding reputation and the presence of his work in many great British collections From Flanders to Florence: The Impact of Netherlandish Painting, 1400-1500 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape and portraiture. Focusing on Florence, a prime centre of renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters, including Leonardo, Perugino and Ghirlandaio. Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460-1500 when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been previously understood. Painting in Late Medieval and Renaissance Siena, 1260-1555 The city of Siena, one of Italy's major artistic centres, was home to many celebrated painters, among them Duccio, Simone Martini, Ambrogio and Pietro Lorenzetti, Sassetta and Beccafumi. This illustrated volume provides a survey of Sienese painting from 1260 to 1555, an era of extraordinary artistic creativity in the Tuscan city. Diana Norman addresses the style and artistic technique of Sienese painters throughout the three centuries and explores why paintings were made, where they were originally seen, and how they were used and enjoyed by their audiences. The book focuses on works of art made for Siena itself, many of which are still to be seen within the city. Norman organizes the discussion around types of commissions and throughout the book situates the paintings within the context of the political, social and religious circumstances of late medieval and renaissance Siena Michelangelo: And the Reinvention of the Human Body This is a smart, learned, lateral, abundant, tendentious, rather diffuse study...It is continually sparking ideas and connections. A substantial and intriguing contribution to the study of Renaissance art at a crucial moment in its evolution. Gothic and Renaissance Altarpieces In the mid-15th century, when the traditional styles and techniques of the Middle Ages were yielding to the new influences of the Renaissance, the altarpieces of cathedrals and major churches reached a degree of elaboration never seen before. For a century or so altarpieces had been constructed so that they could be closed or open (for saints' days and festivals), often in three parts (triptychs), with two wings folding over the centre. This scheme was now expanded: panels were arranged sometimes in two tiers which could open separately. The three-part stucture could grow to five and even seven. In the most extreme case, Grunewald's Isenheim Altarpiece, there was an unprecedented number of possibilities - a sort of theological hierarchy, with panels opening to reveal deeper and deeper mysteries. This volume reproduces the wings as fold-outs, so that the original effect can be experienced. It covers 30 altarpieces from both the north (Van Eyck, Grunewald, Bosch, Pacher) and Italy (Piero della Francesca, Crivelli, Signorelli). It has been produced as a limited edition of 1750 copies. Wealth and the Demand for Art in Italy, 1300-1600 This work focuses on both demand and emphasis on the history of the material culture of the West. By demonstrating that the roots of modern consumer society can be found in Renaissance Italy, it offers a contribution to the growing body of literature on the history of modern consumerism - a movement which the author regards as a positive force for the formation of new attitudes that is a defining characteristic of modern culture The Life of Michelangelo Ascanio Condivi, a young pupil of and assistant to Michelangelo, gained the trust and respect of the great artist. This is a reissued translation of Condivi's account of Michelangelo's life. The biography is based to a large extent on the artist's own words, telling the story of his life, his relationship with his patrons, his objectives as an artist and his accomplishments. First published in 1976, this translation now includes a revised introduction based on research, as well as a bibliography and endnotes section Leonardo Da Vinci, Master Draftsman (Metropolitan Museum of Art S.) This handsome book offers a unified and fascinating portrait of Leonardo as a draftsman, integrating his diverse roles as an artist, scientist, inventory, theorist, and teacher. A chronological framework is also provided in order to shed light on his extraordinary life and career. The essays and entries – written by the world’s leading Leonardo scholars – survey the wide variety of drawing types that Leonardo used and also examine a small group of works by artists critical to his artistic development in Florence and to his multifaceted activity in Milan Italian Frescoes: The Flowering of the Renaissance, 1470-1510 REview: This book (and it's predecessor -"The Early Renaissance")provides a comprehensive and easily approachable - not to mention magisterial - review of the art of fresco painting. The text is authoritative and should satisfy both expert and neophyte alike - but the glory of the book is the colour photographs by Antonio Quattrone. I've been collecting art books for nearly 50 years and have never seen colour photographs to match his magnificent work. For those who are unable to see these frescoes in situ, their beauty - and brilliant colour - will come as a revelation Venetian Colour: Marble, Mosaic, Painting and Glass, 1250-1550 From the Middle Ages to this day the colours of Venice have cast their spell over visitors and inspired artists as diverse as Rubens, Turner and Monet. This book traces the origins of that enchantment by exploring Venetian colour in relation to social, cultural and environmental forces, questioning the traditional opposition of the Florentine line Italian Frescoes: The Early Renaissance, 1400-1470 Hardcove Publisher: Abbeville Press Sandro Botticelli: The Drawings for Dante's "Divine Comedy" By showing multiple views of the characters in a single drawing, Botticelli portrays Dante's successive reactions to what he sees and Virgil's responses to his charge's state of mind. And by giving every group of doomed souls a distinctive gesture or expression, he follows the poet's lead in illuminating both the individual and the universal. Published to accompany the exhibition of the same title that has been shown in Berlin and Rome and continues at the Royal Academy of Arts in London through June, 2001, this book represents a triumph of accessible scholarship, intelligent design and deeply rewarding content History of Italian Renaissance Art Long hailed as one of the most comprehensive and richly detailed chronologies of painting, sculpture, and architecture in Italy from c.1200 AD to c. 1594 AD, this text focuses on the works of art, their creators, and the circumstances affecting their creation. The text is organised chronologically, with individual chapters dedicated to developments in different areas or cities, such as Florence, Tuscany, Rome, Venice, and North Italy. There is a strong emphasis on understanding the works of individual artists as examples of their specific approach and style Painting in Sixteenth-century Venice: Titian, Veronese, Tintoretto Painting in Sixteenth-Century Venice, here published in a revised and updated edition, explores the visual tradition of one of the most important centres of the Italian Renaissance through a study of three masters - Titian, Veronese, and Tintoretto. These painters dominated and shaped the traditions of Venetian painting in the High and Late Renaissance. Establishing the conditions of painting in Renaissance Venice, including the social, economic and political situation of arts and artists and the aesthetic values that distinguish Venetian painting from that of Central Italy, David Rosand also explores the formal principles and technical procedures that determined the uniqueness of painting in Venice, above all the development of oil painting on canvas. He also analyses individual images, altarpieces and mural paintings within the several contexts of conventions and institutions - artistic, social, historical - of Renaissance Venice Vermeer and His Milieu: A Web of Social History Paperback Publisher: Princeton University Press Domenico Ghirlandaio: Artist and Artisan Jean K. Cadogan argues that Ghirlandaio was a pivotal figure in the transformation of the artist from medieval artisan to Renaissance genius. She traces his gradual social elevation, which reflected the increasing respect with which he was treated by his patrons. And she notes that the changes in the way he and other artists were viewed created a milieu that encouraged innovation in technique, style, and content, qualities that were vividly displayed in Ghirlandaio's work. Cadogan explains how his working method, his pragmatic, artisan approach to technique, the organisation and functioning of his workshop, and his relations with his patrons affected the works of art Ghirlandaio produced. Her text is complemented by a catalogue raisonni of Ghirlandaio's works in all media as well as an appendix of documents useful for scholars The Age of Van Eyck: The Mediterranean World and Early Netherlandish Painting 1430-1530 The Age of Van Eyck focuses on the complex artistic and cultural relationships between Flanders and mediterranean Europe during the period 1430-1530, one of the most fruitful and evocative periods in European cultural history. Published to accompany the exhibition at the Groeningemuseum in Bruges in March 2002, this sumptuous volume combines the latest scholarship with an array of glorious colour reproductions of some of the most important art of the period, such as Van Eyck's altarpiece Madonna with Canon Van der Paele, among other works by Memling, Christus, da Messina, Bellini and Berruguete. An array of internationally renowned scholars have contributed fifteen essays which explore the artistic presence, influence and activities of early Netherlandish painters in foreign countries, thus securing the lasting academic impact of the project Titian and Venetian Painting, 1450-1590 This up-to-date, well-illustrated, and thoughtful introduction to the life and works of one of the giants of Western Painting also surveys the golden age of Venetian Painting from Giovanni Bellini to Veronese and its place in the history of Western art. Bruce Cole, Distinguished Professor of Fine Arts at Indiana University and author of numerous books on Italian Renaissance art, begins with the life and work of Giovanni Bellini, the principal founder of Venetian Renaissance painting. He continues with the paintings of Giorgione and the young Titian whose work embodied the new Venetian style. Cole discusses and explains all of Titian's major works--portraits, religious paintings, and nudes--from various points of view and shows how Venetian painting of this period differed from painting in Florence and elsewhere in Italy and became a distinct and fully-developed style of its own. the Renaissance Artist at Work : from Pisano to Titian Italian Art 1250-1550 : the Relation of Renaissance Art to Life and Society Botticelli: Life and Work Review: This is a well laid out and comprehensively illustrated book. The quality of the illustrations is excellent and the text is detailed and well laid out. The author covers Botticelli's work from an artitic perspective and places them within their historical context. The iconographical significance of the paintings is also covered in some detail. All in all an excellent publication suitable for anyone who wishes to know more about Botticelli Piero Della Francesca Hardcover Publisher: The Sheep Meadow Press Painting on Light: Drawings for Stained Glass in the Age of Durer and Holbein A survey of the contribution made by Durer, Holbein and their southern German and Swiss contemporary draftsmen and the glass painters who translated their drawings into stained glass. In some cases, drawings are matched to panels that still exist The Secret Heresy of Hieronymus Bosch The bizarre and fantastic paintings of the Dutch artist Hieronymus Bosch have puzzled and intrigued their viewers for centuries. Following years of research which have taken her to every corner of Europe, Lynda Harris offers surprising new insights into Bosch's detailed and cryptic visual fantasies. Drawing on a wide variety of new sources, she deciphers Bosch's symbolism as the hidden expression of his heretical religious beliefs. She argues that Bosch belonged to the Cathar faith, a Manichean religious heresy which was persecuted and driven underground by the Church in the Middle Ages. This copiously illustrated study reveals that while Bosch was carrying out commissions for his wealthy Catholic patrons, he was all the while coding his own inner heretical convictions in the hidden meanings of his paintings, as a record for posterity of the beliefs of his threatened religious sect. Caravaggio and His World: Darkness and Light This book accompanies the exhibition of the same name, the first in the Southern Hemisphere to explore the art of Caravaggio, his contemporaries and those who were infected by his remarkable talent Hello, Fruit Face!: The Paintings of Giuseppe Arcimboldo (Adventures in Art S.) In the fantastic portraits of the 16th-century painter Giuseppe Arcimboldo, compositions of fruit, vegetables, flowers, books, animals or garden tools magically turn into vivid depictions of beautiful young women, weathered old men or the personifications of the seasons and elements. This book is one of a series of books for children which shows how Arcimboldo's portraits made him a celebrated artist in court circles and a unique painter in the history of art Correggio Hardcover Publisher: Yale University Press Renaissance and Mannerism in Europe (History of Decorative Arts S.) The first volume in a three-volume set devoted to the history of decorative arts from the 15th to the early 20th century. It is a massive, beautifully produced work, translated from the original French edition (1993, Editio-Editions Citadelles & Mazenod, Paris), and covering the period from about 1480 to 1630. Each chapter focuses on one of the maj
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