Virtu Art Books: Buddhist Art + Sculpture

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The volume contains detailed chapters by six specialists in Tibetan art, religion, and culture describing the successive schools. Color plates of the portrait Cave Temples of Mogoa: Art and History on the Silk Road The Getty has published an accessible, well-illustrated guide for the non-specialist to the myriad paintings and sculpture of the Buddhist monastery of Mogao, located in the remote desert along the Silk Road in Central Asia. The text and numerous inset boxes describe the discovery and study of the art in the caves, the history of the monastery... Shaping the Lotus Sutra: Buddhist Visual Culture in Medieval China In exploring how religious pictures sublimate cultural aspirations, he shows that they can serve both political and religious agendas and that different social forces can co-exist within the same visual program. These pictures inspired meditative journeys through sophisticated formal devices such as mirroring, mapping, and spatial programming --analytical categories newly identified by Wang. The book examines murals in cave shrines at Binglingsi and Dunhuang in northwestern China and relief sculptures in the grottoes of Yungang in Shanxi, on stelae from Sichuan, and on the Dragon-and-Tiger pagoda in Shandong, among other sites. By tracing formal impulses in medieval Chinese picture-making, such as topographic mapping and pictorial illusionism, the author pieces together a wide range of visual evidence and textual sources to reconstruct the medieval Chinese cognitive style and mental world. The book is ultimately a history of the Chinese imagination. Buddhist Art and Architecture (World of Art S.) Buddhism is the single common thread uniting the Asian world, from India to South-East Asia and through Central Asia to China, Korea and Japan. To guide and inspire believers, innumerable symbols and images were made, beginning in India in the 3rd century BC. This phenomenally diverse tradition includes not only frescoes, relief carvings, colossal statues, silk embroideries and bronze ritual objects but also rock-cut shrines with a thousand Buddhas, the glorious stupas of South-East Asia and the pagodas of the Far East, the massive "mandala in stone" of Borobudur in Java and entire 13th-century temple complexes at Angkor in Cambodia. The author describes all the Buddhist schools and cultures, and explains their imagery, from Tibetan cosmic diagrams and Korean folk art to early Sri Lankan sites and Japanese Zen gardens Buddhist Sculpture of Northern Thailand The art of the Northern kingdoms of Thailand was Buddhist, and the Buddha image was at its core. The purpose of traditional Buddhist art was not to delight the eye or "decorate," but to remind, enlighten, and instruct. For many years art historians considered the sculpture of Northern Thailand, or Lan Na, to be a minor tradition. This volume shows that Lan Na sculpture is an enormous body of work beginning with the Mon- Hariphunchai period of the eleventh century, through the Classic period of Lan Na's Golden Age in the fifteenth century, up until Lan Na's integration into the rest of Thailand. It is a tradition of surprising diversity positioned alongside the other great Southeast Asian art traditions - the Dvaravati and Sukhothai in Thailand, the Pagan in Burma, and the Khmer in Cambodia The Ajanta Caves: Ancient Paintings of Buddhist India The exquisite murals depict the Jatakas (tales of previous incarnations) of Lord Buddha, scenes of princely processions, ladies with their hand-maidens, bejewelled animals, ascetics in monasteries and fantastical birds and beasts, all with a startling degree of sophistication. What is unique about the paintings is their humanity: the men and women of this world have the capacity to adore - they look upon each other with expressions of infinite caring. Ajanta provides virtually the only evidence remaining of painting styles that first developed in India and then travelled with the spread of Buddhism as far as Japan and Korea. Now on UNESCO's list of World Heritage sites, the Ajanta caves survive as a potent symbol of the great beauty of India's rich artistic Buddha Mind in Contemporary Art The artists featured in the interviews, all internationally recognized, include Maya Lin, Bill Viola, and Ann Hamilton. Extending earlier twentieth-century aesthetic interests in blurring the boundaries of art and life, the artists view art as a way of life, a daily practice, in ways parallel to that of the Buddhist practitioner. Their works, woven throughout the book, richly convey how Buddhism has been both a source for and a lens through which we now perceive art Circle of Bliss: Buddhist Meditational Art Published in conjunction with a 2003 exhibition co-organized by the Columbus Museum of Art and the Los Angeles County Museum of Art, this hefty, oversize (10x13) catalogue features approximately 160 powerful masterpieces of Indian, Nepalese, Tibetan, Chinese, and Mongolian art produced over the past 13 centuries Wisdom and Compassion: The Sacred Art of Tibet (Abradale Books) Illustrates, explains and celebrates 241 examples of Tibetan sacred art of the 9th to 12th centuries. The authors discuss the religious meaning and use of tangkas, Buddhist iconography and the aesthetics of tangka paintings, sculpture and mandalas The Dalai Lama's Secret Temple: Tantric Wall Paintings from Tibet A treasury of Tibetan Buddhist art exists in the form of Tantric wall paintings located in the private chapel of an island temple built by the Sixth Dalai Lama. The Lukhang murals were designed to guide the Dalai Lamas in a deeply secret form of mystical contemplation called Dzogchen Origins of Thai Art Hardcover Publisher: Weatherhill Zen Buddhist Landscape Arts of Early Muromachi Japan (1336-1573) (SUNY Series in Buddhist Studies) Paperback Publisher: State University of New York Press Empire of Emptiness: Buddhist Art and Political Authority in Qing China The multilingual, culturally fluid Qing emperors put an extraordinary range of visual styles into practice - Chinese, Tibetan, Nepalese, and even the European Baroque brought to the court by Jesuit artists. Their pictorial, sculptural, and architectural projects escape easy analysis and raise questions about the difference between verbal and pictorial description, the ways in which overt and covert meaning could be embedded in images through juxtaposition and collage, and the collection and criticism of paintings and calligraphy that were intended as supports for practice and not initially as works of art. Demonic Divine: Himalayan Art and Beyond The book investigates how the violence, grotesque features, and explicit postures of these wrathful figures portray protection and benevolence. With 200 colour images highlighting both the visual power and artistic craftsmanship of the artwork the division between horror and beauty becomes slight. Includes entries on all exhibited works along with comprehensive essays by the exhibition's curator, Rob Linrothe and other leading experts. Although drawing primarily from Himalayan work in RMA's permanent collection the catalogue also includes some non-Asian art on loan from major museums and private collections. The "demonic divine" is a fundamental paradox not limited by time or geography. Enlightenment Embodied: The Art of the Japanese Buddhist Sculptor (7th-14th Centuries) Paperback Publisher: Japan Society Gallery Ruthless Compassion: Wrathful Deities in Early Indo-Tibetan Esoteric Buddhist Art Hardcover Publisher: Serindia Publications Tibetan Paintings Collects one hundred of the most significant Tibetian thangka paintings created between the twelfth and twentieth centuries, including those of the historical Buddha, bodhisattvas, historical and mythological figures, and tutelary deities Buddhist Sculpture in Clay: Early Western Himalayan Art - Late 10th to Early 13th Centuries Large-scale clay sculptures representing the main deities are characteristic of the earliest Tibetan Buddhist monuments and particularly for the monasteries and village- temples built from the end of the 10th to the early 13th centuries in West Tibet and Ladakh. Commonly placed in the main niches along the central axis of the monuments these images of highest quality constitute a major source for the cultural and religious history of western Himalayan (Indo-Tibetan) art and early Tibetan art in general. Based on extensive field research and in situ documentation for more than a decade, this groundbreaking study provides the first comprehensive assessment of the early western Himalayan sculptures and their cultural and canonical context Female Buddhas: Women of Enlightenment in Tibetan Mystical Art Paperback Publisher: Clear Light Publishers Treasures of Tibetan Art: Collections of the Jacques Marchais Museum of Tibetan Art Constructed between 1945 and 1947 by Jacques Marchais (professional name of Jacqueline Klauber), the Jacques Marchais Museum of Tibetan Art in Staten Island houses more than 1200 pieces of Tibetan Buddhist art from China and Mongolia, dating from the 17th to the 19th centuries. Two essays about the history of the museum and the history of Tibetan Buddhism open the catalogue, which contains 169 objects from the museum's collections
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