Virtu Art Books
Bauhaus: Gropius, Klee, Feininger, Wassily Kandinsky, Breuer
Bauhaus (World of Art S.)
Paperback, Publisher: Thames and Hudson Ltd. Traces the history of the German
school of art, the Bauhaus, and examines the activities of its teachers and students
ABC's of the Bauhaus: Bauhaus and Design Theory
By re-examining Bauhaus ideas and encouraging critical thinking about the means and
ends of design, this work provides the opportunity to reinvigorate today's graphics.
Conceived, designed and edited at The Herb Lubalin Study Center of Design and Typography,
The Cooper Union, New York, this book traces the origins and impact of the Bauhaus in
relation to basic design, graphic design and typography. While the text is a challenging
exploration of the Bauhaus's aims and achievements, the book itself is a manifesto of
Bauhaus ideals, synthesizing editorial concept, typography and craftsmanship. Essays by
eminent contributors address various aspects of the Bauhaus, including its relationship
to Weimar culture, Herbert Bayer's geometric type design called 'universal', and the
psychological implications of Kandinsky's celebrated attempts to establish fundamental
laws of form and colour with his triangle/square/circle test. Illustrations include
extensive samples of typographical design, instructional diagrams and symbols. Designed
in a manner that befits the aspirations of the Bauhaus, this manual will be an inexhaustible
fund of inspiration for design professionals and a revelation for all those interested in
20th-century culture.
Bauhaus Ideal, Then and Now: An Illustrated Guide to Modern Design
'Design' itself was an invention of the Bauhaus era to combine usefulness, beauty and
economy into a reasonable whole. This unique volume introduces modern design principles
and examines them from an historically critical perspective. It concludes with some ideas
for melding modern solemnity with postmodern irony. And in each phase, the illustrations
speak as eloquently as the text. This invaluable book is itself a work of art and is
issued at a time when there is a revival of interest in modernism-furniture by Corbusier,
Noguchi and Eames has never been more popular.
Towards Universality: Le Corbusier, Mies, and De Stijl
There is no shortage of books about Le Corbusier, or Mies van der Rohe, or De Stijl. This
one is different, however, in a number of ways. First, it does not treat them as separate
subjects, but in relation to each other. While their response to De Stijl throws some new
light on Le Corbusier and Mies, it is above all De Stijl that can be more sharply defined
in relation to them. Second, the purpose of the study is to excavate the philosophical
foundations of the work, rather than merely to describe and discuss the work itself. Third,
it looks for connections between the aims and ideals of the 1920s and such 'post-modern'
concerns as the creation of habitable 'places' and the survival of the historical city.
Bauhaus: 1919-33 (Architecture & Design S.)
Not only is the volume reasonably priced, but it is illustrated with the best of examples
of the timeless designs, and breaks down the facelessness associated with many art books.
Droste not only more than accomplishes an extremely reasonable attempt at explaining the
mystique behind the Bauhaus, but she also manages to place the school within its rightful
place among modernist art and architecture in the 20th century. The book makes an ideal
guide to the Bauhaus and its innovators, and will also direct readers who may not recognise
the great artists and designers within, to other more detailed synopses and guides available.
For someone like me, who admired the Bauhaus from a distance, but who knew little in depth
of the personalities involved, this is an ideal starting point to appreciate probably the
greatest influence on modern art and architecture yet.
Catalogue Raisonne: Works, 1923-1926 - The Bauhaus in Weimar and Dessau v. 4
The fourth volume (of nine) of Klee's catalogue raisonne covers the years 1923-26, when he
was active as a professor at the Bauhaus, first in Weimar and then in Dessau. It includes
works inspired by the artist's visits to La Coruna in Spain, and to Italy and Sicily
Bauhaus, Modernism, and the Ill Book
Hudson River School paintings are among America’s most admired and well-loved artworks.
Such artists as Thomas Cole, Frederic Church, and Albert Bierstadt left a powerful legacy
to American art, embodying in their epic works the reverence for nature and the national
idealism that prevailed during the middle of the nineteenth century. This book features
fifty-seven major Hudson River School paintings from the collection of the Wadsworth
Atheneum Museum of Art, recognized as the most extensive and finest in the world.
Gorgeously and amply illustrated, the book includes paintings by all the major figures
of the Hudson River School. Each work is beautifully reproduced in full colour and is
accompanied by a concise description of its significance and historical background. The
book also includes artists’ biographies and a brief introduction to American nineteenth-
century landscape painting and the Wadsworth Atheneum’s unique role in collecting Hudson
River pictures.
The Bauhaus Reassessed:
Sources and Design Theory (Art Reference S.)
Paperback
Publisher:
Herbert Press
Bauhaus:
Crucible of Modernism
Paperback
Publisher:
Fromm International Publishing Corporation
Bauhaus Lighting? Kandemlight!
Hardcover, Publisher: Arnoldsche,Germany
This work documents the collaboration between the two lighting design houses of
Kandem and Bauhaus
Bauhaus (Basic Art S.)
Functional beauty Founded in Welmar in 1919, the Bauhaus school developed a revolutionary
approach that fused fine art with craftsmanship and engineering in everything from
architecture to furniture, typography, and even theater. Originally headed by Walter
Gropius, the Bauhaus counted among its members artists and architects such as Paul Klee,
Lyonel Feininger, Wassily Kandinsky, Laszlo Moholy-Nagy, and Marcel Breuer. In 1930 Ludwig
Mies van der Rohe took over as the leader, but soon after, in 1933, the Nazi government
shut down the school. During its fourteen years of existence, Bauhaus managed to change the
faces of art, architecture, and industrial design forever and is still hugely influential
today
The Bauhaus:
Weimar, Dessau, Berlin, Chicago
A comprehensive collection of documents and pictorial material on the famous school
of design provides a unique research source into all aspects of the movement and its
work
Biedermeier to Bauhaus: Authentic German Decor
A study of the interior design styles original to Germany. The reader is taken on a
tour of German interiors from the 16th to the early-20th centuries, through Rococco
summer palaces, elegant middle-class Biedermeier villas and simple rural retreats to
the functional forms of the Bauhaus
Dot. City:
Urban Design and New Media in the Bauhaus Kolleg
The book shows the "media-isation" of urban life as a global phenomenon and describes
the consequences that result for shaping the living space that is the city.
Deep Action:
Wolfgang Petrick and Master Students
Contains a group exhibition catalogue of 25 artists whose common thread is the fact
that they all studied under Wolfgang Petrick - one of the leading exponents of the
1970's Critical Realism movement
The New Architecture and the Bauhaus
Paperback
Publisher:
The MIT Press
Bauhaus
Hardcover
Publisher:
Carlton
Paul Klee
Paul Klee was a teacher at the famous Bauhaus school, and as such played an important
role in the evolution of the applied arts. This is a fresh reading of his works, including
extracts from the "Pedagogical Sketchbook", to throw new light on his ideas
Teaching Bauhaus
Within the space of only 14 years, the Bauhaus set the course of modern design. This
is the account of the main pedagogical concepts behind the work of this art school.
Analytical essays illuminate the various approaches of staff members in the Bauhaus,
which included Gropius, Mies van der Rohe, Itten, Moholy-Nagy, Kandinsky and Klee.
Additional chapters of this reference work investigate the pre-history of the Bauhaus
and its predecessors in matters of art training, outling the the development of the
institution from 1919 to 1933
The Bauhaus and America: First Contacts, 1919-1936
The Bauhaus school was founded in Weimar in 1919 by the German architect Walter Gropius,
moved to Dessau in 1925 and to Berlin in 1932, and was dissolved in 1933 by Ludwig Mies
van der Rohe under political duress. Although it only existed for 14 years and boasted
fewer than 1300 students, its influence is felt throughout the world in numerous buildings,
artworks, objects, concepts and curricula. This book shows that the fame of the Bauhaus in
America was the result not only of the inherent qualities of its concepts and products,
but also a congruence of cultural supply and demand, of a consistent flow of information
and of fine-tuned marketing. Thus the history of the American reception of the Bauhaus in
the 1920s and 1930s foreshadows the patterns of fame-making that became typical of the post
-World War II art world. The transfer of artistic, intellectual and pedagogical concepts
from one cultural context to another is a process of transformation and integration. In
presenting a case study of this process, the book also provides fresh insights into the
German-American cultural history of the period from 1919 to 1936
Bauhaus Textiles: Women Artists and the Weaving Workshop
Longest standing and most successful of all Bauhaus enterprises was the Weaving Workshop,
whose talented female designers created beautiful textiles, pouring all their energy and
talent into this fresh and challenging field of interest. Embracing advanced technology,
they used unusual materials (such as cellophane and early synthetics), and made reversible
fabrics with acoustic and light-reflecting properties as well as other innovative
experimental textiles. Their striking, brightly coloured geometric designs generated
renewed interest in hand-weaving and a new professionalism in designing fabrics for mass-
production. In this study, illustrated with both full-colour and rare historical
photographs, Sigrid Wortmann Weltge recreates the atmosphere of excitement and creativity
at the Bauhaus. Original archival research, as well as interviews with survivors and
their students and with leading contemporary designers, detail the workshop's history
and its legacy: wonderful fabrics still being produced today
Biedermeier to Bauhaus: Authentic German Decor
A study of the interior design styles original to Germany. The reader is taken on a tour of
German interiors from the 16th to the early-20th centuries, through Rococco summer palaces,
elegant middle-class Biedermeier villas and simple rural retreats to the functional forms
of the Bauhaus.
Catalogue Raisonne: 1927-1930: The Bauhaus in Dessau; Exhibition in New York v. 5
Paul Klee is one of the most significant arists of the 20th century. For the nine volumes
of this catalogue raisonne, the Berne-based Paul Klee Foundation has researched the artist's
9,600 drawings, prints, watercolours and oil paintings. Each volume contains an introduction
in German and English, and an explanation of the catalogue system. All the entries are
illustrated and include catalogue numbers, technical descriptions, measurements, references
to related works, details of provenance and location, relevant literature and a list of
exhibitions and auctions in which works have appeared. Klee's own entries from the diary
that he maintained from 1911 onwards are also included, and the most important works are
illustrated in colour. From 1927 to 1930, Klee's teaching at the Bauhaus in Dessau was
interspersed with trips abroad. These included a journey up the Nile to see the famous
monuments at Luxor, Karnak, Thebes and other ancient Egyptian sites. He also visited the
south of France and northern Italy. All of these were valuable sources of visual inspiration.
In 1930, to celebrate Klee's 50th birthday, a major exhibition of his work was held in
Berlin, followed by another at the Museum of Modern Art, New York
Bauhaus (Design Monograph S.)
Hardcover
Publisher:
Carlton Books Ltd
Bauhaus:
Crucible of Modernism
Hardcover, Publisher: Fromm International Publishing Corporation
Documents the struggle of Walter Gropius and his efforts to keep his utopian vision of a
school financially afloat amidst political and ideological conflicts within the faculty.
Bayer Herbert - The Bauhaus Legacy
Hardcover
Publisher:
Kent Gallery
Paul Klee and the Decorative in Modern Art
One of the goals of Modernism was the presentation of the essence of art, or pure form.
Encouraged by theorists, modern artists found pure form in ornament which, though promising,
was sullied by connotations of materiality, domesticity, and femininity. Jenny Anger
demonstrates that the decorative significantly informed Paul Klee's art. She compares his
work to that of another major modernist, Henri Matisse, to confirm the critical role of the
decorative in Modernism. Anger also explores the relevance of the decorative for
contemporary and, especially, women artists.
Paul Klee: Painting Music
A talented violinist as well as a painter, Klee drew much of the inspiration for his abstract
art from musical rhythms and structure. Like a composer, he developed and harmonized pictorial
themes, weaving a complex series of signs and symbols into his painting. In this book, the
art historian Hajo Duechting focuses his study primarily on Klee's decade-long tenure at the
Bauhaus, where the artist's theories and practice first merged, and where he was to develop
his Colour Spectrum, Square and Polyphone painting series. Illustrated throughout with full-
colour reproductions of Klee's paintings and etchings, as well as entries from his diaries,
this study aims to shed light on an important aspect of Klee's work, while providing insights
into his development as an abstract artist.
Paul Klee:
Life and Work
This edition provides an immensely compressed pciture of the artistic and the human side of
Paul Klee's career, unfolding by way of the extensive pictorial material and accompanying
essays.
Dreaming Pictures: Paul Klee (Adventures in Art S.)
The author examines 14 paintings by Paul Klee through the eyes of children, using their
comments to provide an insight into Klee's composition and to interpret the message in
his pictures, particularly how he portrays feelings, experience and dreams.
Zentrum Paul Klee, Bern
Hardcover, Publisher: Hatje Cantz
This volume is published in conjunction with the opening of the new museum devoted to
the life and works of Paul Klee.
Klee (Masters of Art S.)
A broad selection of representative color reproductions presented with individual
analysis and supplemented with a brief biography.
Modern Art
Paperback
Publisher:
Faber and Faber
Paul Klee Rediscovered
Hardcover
Publisher:
Merrell Publishers Ltd
Wassily Kandinsky (Taschen Portfolio S.)
Paperback
Publisher:
Taschen
Wassily Kandinsky
Collects 40 colorplate reproductions of Kandinsky's major works, each accompanied by
commentary. Meser (Director Emeritus of the Solomon R. Guggenheim Foundation, NY) has
selected from major museum collections notable paintings from every period of the artist's
long and varied career. In an introductory essay, he discusses Kandinsky's highly origin.
Wassily Kandinsky
This series provides pictures of the lives and works of some of the world's greatest artists
and their influence on the world of art. Each title includes: reconstruction artwork of
particular scenes from the artist's life; examples of the artist's work at various stages
of their life with text to link their life and work; and the life story and photographs of
the artist. This title focuses on the life and work of Wassily Kandinsky.
Kandinsky (Basic Art Album S.)
The Russian painter Wassily Kandinsky (1866-1944), who later lived in Germany and France,
is one of the pioneers of 20th-century art. Nowadays he is regarded as the founder of
abstract art and is, moreover, the chief theoretician of this type of painting. Together
with Franz Marc and others he founded the group of artists known as the "Blauer Reiter" in
Munich. His art then freed itself more and more from the object, eventually culminating in
the "First Abstract Watercolour" of 1910. In his theoretical writings Kandinsky repeatedly
sought the proximity of music; and just as in music, where the individual notes constitute
the medium whose effect stems from harmony and euphony, Kandinsky was aiming for a pure
concord of colour through the interplay of various shades. Gauguin had demanded that
everything "must be sacrificed to pure colours". Kandinsky was the first to realize this
and thus to influence a whole range of artists.
Masters of Colour: Derain to Kandinsky
This dazzling volume enables art-lovers everywhere to savour the delights of one of the
world's finest private collections of modern art. Long known to experts and scholars, the
Werner and Gabrielle Merzbacher collection is unique in that the owners have only been
willing to collect an artist's very best works - true masterpieces. Displayed here, in
vibrant full colour, are outstanding works by Cezanne, van Gogh, Picasso, Derain, Matisse,
Braque, Nolde, Kirchner, Kandinsky, Klee, Leger, Chagall and Calder, among many others.
The earliest works are by Impressionists and Post-Impressionists, but the collection
focuses primarily on the Fauves and the German Impressionists. Published to accompany an
exhibition at the Royal Academy of Arts, London, this book will appeal to all who love
modern art and colour
Kandinsky Watercolours:
Catalogue Raisonne: 1900-21 v. 1
Hardcover
Publisher:
Philip Wilson Publishers Ltd
Wassily Kandinsky and Gabriele Munter (Pegasus Paperbacks)
Kandinsky and Munter were the moving spirits of the Blue Rider school, which pioneered the
epochal turn from figurative painting to abstraction. This volume traces the development
of the couple's personal and artistic relationship from its beginnings in 1902 to the key
moment in 1914 when Kandinsky fled Germany and returned to his native Russia. The story of
their life together - and of the underlying tensions which eventually drove them apart - is
told through the artists' letters, in diary extracts and memoirs, and in reproductions of
their finest paintings and sketches
Kandinsky:
Compositions
Paperback
Publisher:
Museum of Modern Art, New York
Kandinsky
Card Book
Publisher:
Parkstone Press Ltd
The Blue Four: Feininger, Jawlensky, Kandinsky and Klee in the New World
A discussion of the life and work of Bill Traylor, who was born into slavery in 1854 and
only began to draw at the age of 82. It places his art in its social and historical
background, exploring its relationship with African-American music, the economic
depression, and race relations in Alabama.