Virtu Art Books: Australian Art, Aborigonal Art, Paintings, Sculpture and Glass

Promoting the Art + Craft of South West Cork
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Aboriginal art has survived the colonial period to become a major feature of contemporary Australian society. This book surveys the great variety in Aboriginal art, from ancient rock paintings to powerful modern works in acrylic on canvas. The patterns and symbols of Aboriginal art, though they may at first appear abstract, are laden with meaning. Morphy explains the social contexts in which art is made and its religious significance. The book uses a contextual approach to show the interrelationships between such diverse art forms as body painting, dance, the decoration of weapons and utensils, and painting on bark, board and canvas The Oxford Companion to Aboriginal Art and Culture This unique publication will provide a wide-ranging and intellectually challenging reference to indigenous Australian art, covering documented archaeologically traditions, art styles of the early contact period and the nineteenth century, and the development of the remarkably diverse contemporary Aboriginal and Torres Strait Islander art practices that have attracted so much attention in recent years. The Companion will draw upon much original research on art and culture in remote Aboriginal communities, and on the emergence of Aboriginal art in urban institutions, markets, and exhibitions. Academics, graduates, and general readers will find concise and authoritative analysis on specific topics and regional traditions, unavailable even in specialist databases Painting Culture: The Making of an Aboriginal High Art Painting Culture describes in detail the actual practice of painting, insisting that such a focus is necessary to engage directly with the role of the art in the lives of contemporary Aboriginals. The book includes a unique "local art history, " a study of the complete corpus of two painters over a two-year period. It also explores the awkward local issues around the valuation and sale of the acrylic paintings, traces the shifting approaches of the Australian government and key organizations such as the Aboriginal Arts Board to the promotion of the work, and describes the early and subsequent phases of the works' inclusion in major Australian and international exhibitions. Myers provides an account of some of the events related to these exhibits, most notably the Asia Society's 1988 "Dreamings" show in New York, which was so pivotal in bringing the work to North American notice. He also traces the approaches and concerns of dealers, ranging from semi-tourist outlets in Alice Springs to more prestigious venues in Sydney and Melbourne. With its innovative approach to the transnational circulation of culture, this book will appeal to art historians, as well as those in cultural anthropology, cultural studies, museum studies, and performance studies Australian Painting Now This work celebrates the vitality of Australian art as it moves into the 21st century. It profiles the work of 80 contemporary artists, with the aim of providing a glimpse of the great achievements of the modern Australian art scene Contemporary Australian Sculpture Paperback Publisher: Craftsman House Australian Art (Oxford History of Art S.) This comprehensive survey uniquely covers both Aboriginal art and that of European Australians, providing a revealing examination of the interaction between the two. Painting, bark art, photography, rock art, sculpture, and the decorative arts are all fully explored to present the rich texture of Australian art traditions Australian Photographers Collection: v. 2 This text showcases some of the best work produced by Australian photographers in recent years. Different thematic headings - people, landscape and still life - divide the photographs into sections Images 3: Contemporary Australian Painting Intended for students and general readers alike, this selection of contrmporary Australian paintings has been compiled with a thematic perspective in mind. It draws on works by established artists an dnotable mid-career and emerging painters Lesbian Art: An Encounter with Power (Art & Australia Monograph S.) This work documents the diversity and vitality of lesbian talent in Australia. A hitherto marginalized group, lesbian artists are now being incorporated into mainstream culture and this work provides an introduction to the issues explored by these artists which include sexuality, mythology and religion, mass media and technology. The development of different modes of production through collaborative processes and collective art making is also discussed. The history of the emergence of lesbian art practice into contemporary culture is charted throughout documentation of alternative exhibition spaces, legislation, protest marches and events such as Mardi Gras. The acceptance of lesbian art as an art of difference rather than of community is examined. The diversity in lesbian art practice is highlighted through the variety of styles, artforms and practices which the author has uncovered. Performance art, film, video, computer generated imagery as well as painting, sculpture, graphic arts and craft reinforce the impression of a vital, imaginative body of work making an important contribution to late 20th-century art New Art Eight: Profiles in Contemporary Australian Art This volume presents the work of 42 artists from Australia and includes paintings, drawings, prints, mixed-media, glass and sculpture. Two works by each artist are featured in colour, with a concise biography, artist's comment and details of individual exhibitions. Featured artists include: Graham Blondel, Joanna Burgler, Vivienne Dadour, Judi Elliot, Ben Hall, Karan Hayman, John Howley, Barbara Licha, Leslie Oliver, Deborah Russell, Judi Singleton and Jim Thalassoudis Australian Studio Glass: The Movement, Its Maker and Their Art Today there is a general consensus that Australian studio glass is one of the most vital areas of craft activity with numerous glass practitioners "pushing the medium", blowing, casting, or otherwise trailblazing ideas and forms into being. This work explores the development of the studio glass movement in Australia, identifying its founding and successive glass artists, and presenting the manner in which practitioners express themselves creatively through the immense range of figurative, painterly, sculptural, decorative and functional glass form. Drawing on interviews with over 100 glass artists, in addition to extensive research, the author locates Australian studio glass within an international setting. This includes discussion of the links with the North American Hot Glass Movement, descriptions of seminal events and the work of key individuals over the past 20 or so years, and a critique of the current community of glass practitioners and their social organization Ausglass Images 2: Contemporary Australian Painting A selection of contemporary Australian paintings. Drawing on works by established artists and also notable mid-career and emerging painters, this book presents a wide range of styles in order to demonstrate creative approaches New Visions, New Perspectives: Voices of Contemporary Australian Women Artists This work is about creative process, the journey of art-making and the toil necessary to bring works from conception to completion to exhibition, as told in the individual voices of 34 contemporary Australian women. These stories, based on extensive personal interviews and written questionnaire responses, speak in diverse expressive styles about formative influences, inspirations, pivotal experiences, struggles, philosophies and concerns - all of which are transmuted and transformed through the skilful manipulation of various media into individual creative visions. The artists, working in a range of visual media, encompass established, emerging and mid-career professional stages and are of widely divergent backgrounds and perspectives - from Aboriginal elders to women of European descent and relatively recent migrants Through Artists' Eyes: Australian Suburbs and Their Cities, 1919-1945 The iconic image of Australia is the outback: gums and kangaroos against red soil and piercing blue sky. The reality of Australia is that the vast majority of its population live and work in suburbs and their cities. Between 1919 and 1939, this disjunction defined Australian art. John Slater explores how, at a time when most images produced by Australian artists were of rural or bush subjects, some instead turned their attention to their surroundings, and painted, drew or photographed the busy life of the metropolis. Some confronted the political and social issues of the time - the poverty of the Great Depression, the isolation of women, the sprawl of suburbia, Noel Counihan's coal miners, Yosl Bergner's alienated Aboriginal people in Fitzroy. Others turned their backs on unpleasant sights, painting instead travellers in trams or children playing in the park - for them the cities of Australia were very much part of the 'Lucky Country' Art from the Land: Dialogues with the Kluge-Ruhe Collection of Australian Aboriginal Art Paperback Publisher: University of Washington Press True Blue: The A to Z of Australian Ads, Art and Icons Hardcover Publisher: Viking Australia On Dialogue: Contemporary Australian Art This catalogue presents positions of the 90's which follow the tradition of conceptual art. Focusing on Australian art since the 1960s, the book discusses the contrasts that occur with European and American art activities. Art is presented from a diverse selection of contemporary Australian artists whilst comprehensive essays from leading Australian theoreticians analyze the complexity of their work. Material Culture: Aspects of Contemporary Australian Craft and Design Paperback Publisher: National Gallery of Australia Australian Art in the National Gallery of Australia Paperback Publisher: National Gallery of Australia The Antipodeans: Challenge and Response in Australian Art 1955-1965 Paperback Publisher: Australian Institute of Criminology Nineteenth-Century Australian Art in the National Gallery of Victoria Hardcover Publisher: National Gallery of Victoria Dreamings: The Art of Aboriginal Australia Hardcover Publisher: George Braziller The Encyclopedia of Australian Art The Encyclopidia of Australian Art is exactly what it claims to be; an exhaustive collection of brief entries, refering to Australia's artists, art movements and associated people and places. Because of this, it is invaluable to anyone who is looking to gain a real understanding of particular aspects of Australian art. In fact, it is perhaps most useful as a back-up tool for reading other texts; the summaries that the book provides are well written and to-the-point. However, for the same reasons, the Encyclopedia is not the best choice for those wanting a survey of the subject. The five page introduction is helpful, but understandably selective. Those who are completely new to the subject, or who do not want to study it in depth, might be better advised to choose a different title Contemporary Aboriginal Art: A Guide to the Rebirth of an Ancient Culture Hardcover Publisher: University of Hawaii Press Visions from the Past: The Archaeology of Australian Aboriginal Art Hardcover Publisher: Smithsonian Books Sight Lines: Women's Art and Feminist Perspectives in Australia This work draws together the diverse contributions of Australian women to the visual arts, ranging from ceramics and painting to video, and explores the ways in which they are breaking old boundaries and creating new perspectives Images in Contemporary Australian Painting Paperback Publisher: Craftsman House Australian Naive Art This work provides the reader with a narrative of the Australian experience through the eyes of over 30 "naifs" - their paintings and objects are presented as pieces of a jigsaw which describes the multicultural nature of Australian society. This selection of Naive Art shows Australian inhabitants, landscape, history and way of life. Featured artists include: Ian Abdulla, Susan Wanji, Sylvia and Tony Convey, Maitreyi Ray, Frane Lessac, Elfrun Lach, Sister Clare Connolly, Reny Mia Slay, Malcolm Otton, Howard William Steer, Miriam Naughton, Bob Marchant, Janice Raynor, Max Walters and Bill Yaxley. New Sculpture: Profiles in Contemporary Australian Sculpture Hardcover Publisher: Craftsman House Australian Painting 1788-2000 This is the fourth edition of the classic text first published in 1962. It discusses the achievements of all Australia's leading artists and a great many lesser-known ones. All facets of Australian Painting are generously illustrated. This new edition ensures that the most comprehensive text on Australian painting ever published is up-to-date and available for a new generation of students of Australian art The Art Movement in Australia: Design, Taste and Society, 1875-1900 The "Art Movement" flourished in Australia between 1875 and 1900. It was viewed as a response to British-led aesthetic movements and to the flowering of ornamental and decorative arts throughout the Western world at the time. This work is a comprehensive study of the dynamic impact of ornament and decorative arts design on Australian interior decoration, furnishings, advertising, fashion, architecture and painting. The book presents a wide range of documentary and visual material, revealing the importance of the ornamental arts within urbanizing Australian society at the end of the 19th century. The Quarantined Culture: Australian Reactions to Modernism, 1913-39 (Studies in Australian History) In 1913 the Australian press displayed a cosmopolitan openness to the culture of the modern world. By 1919, however, Australia had become an inward-looking society bent on keeping the outside world out - a quarantined culture. This book looks at the impact of the First World War on Australian culture, focussing on reactions to modernist art. John Williams argues that the creation of the Anzac legend, the back-to-the-land movement, notions of racial superiority and the mythology of the masculine nation were reactionary and anti-modern. Reflecting this, Australian pioneers of post-impressionism were ignored in favour of more traditional artists. This engaging book outlines the forces - social, economic, cultural, political - which led to the stagnation of Australian culture between the wars. John Williams' original and provocative work will make an important contribution to Australian cultural history
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