Julie Aldridge at the opening of her show at Anam Cara in Eyeries

Landscape as Icon – New work by Julie Aldridge reviewed by Dr John Goode Director
of Mill Cove Gallery. Photograph supplied by John Eagle :-)
An island in southwest Crete and the Beara Peninsula, where she lives, inspire Julie
Aldridge’s exhibition. These two different locations share the same orientation and a
quality of light that she explores in this work.
The Icon as an image is a sign or likeness that stands for an object by signifying or
representing it. In Eastern Orthodoxy and other icon-painting Christian traditions it
is generally a flat panel painting depicting a holy being. This symbolism allowed the
icon to present highly complex material in a very simple way, making it possible to
educate people, even the illiterate, in theology. With this work Julie explores the
landscape as icon and presents the landforms of the Beara peninsula and Elafonisi, in
Greece, in an abstract manner encouraging the viewer to bring their own interpretation
to her work. She gently presents her work by using gold, collage and other reflective
substances to create scenes with close tonal values. This medium encourages one to see
beyond her surface gestures to explore the work more closely, giving it an intimacy not
apparent on a cursory view.
John Constable said that ‘Landscape is another word for feeling’. Aldridge uses her work
to translate her natural world into a personal vision of subjective relevance. Yet she
allows this vision to have a wider appeal. The work has a direct relationship with
specific landscapes, giving it an individual dimension however once again the work is
comprehensible by not attempting any literal representation. This fluctuation between
the intimate and the accessible gives the feeling of discovering something confidential
without being intrusive.
Her landscapes are investigated from different aspects in this exhibition and they
appear to document a journey of self-awareness, but this is not their prime motivation.
Aldridge is committed to imparting a voracious impression of the landscape’s energy to
affect the senses. Her preoccupation with her subject illustrates her devotion to
creating work that pays homage to the land.
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